Fans of Tame Impala and Beck might just have a new band to add to their playlists, going by the name of Kewl Haze.
Hailing from Philadelphia, this duo (consisting of musicians Dan Scott Forreal and Derek Sheehan) create some of the most charming psychedelic rock-pop to come out of the US right now.
New single ‘Used To Have It All’ is a perfect taster for listeners. The track fuses indie with shoegaze and psychedelica in a way that’s playful and light-hearted.
“We would have a couple of beers before studio sessions, talk about life, and that led to an openness in the studio. A lot of life happened in the span of making the record, some hectic and difficult situations, but we laughed our asses off. We took a lighthearted outlook on everything we wrote about.”
Kewl Haze will release their debut LP, ‘Suburban Sherpa’, soon. In the meantime, be sure to follow this promising outfit on their socials and on Spotify.
Thomas DaVinci (aka Thomas Gentry) is an interesting artist who recently came across our radars. Based in Chicago, Thomas is a master of many talents – he’s a rapper, singer, performer, producer and engineer.
His latest release, ‘Never Hold Me Back’, was created by Thomas in its entirety and showcases an experimental style of hip hop which also blends elements of electronica and indie into the mix. Speaking on the song, he says:
“‘Never Hold Me Back’ is a groove you can vibe you to in multiple ways. The context is introspective and is about new found love. Something we all long for. Whether it be in relationships with someone outside of you or with the person within you.”
You can explore more of the artist’s music on Spotify right here, where Thomas has already amassed thousands of streams to date.
Danish artist Asbjørn kicks off the week with a nostalgic bop that could have very easily fit into a playlist from a London radio station in the 90s.
‘show u the future’ is a collaboration with La Boum Fatale and blends a classic UK garage sound with electronic pop in a way that feels retro but also current. It’s playful and optimistic and harks back to a time when club culture was at its peak.
“‘show u the future’ rewinds to a time of skipping snare rolls, shuffling 2‑step grooves, and late‑night bassline pressure. This one is for the ravers, the lovers, the dreamers in the corner, dancing till sunlight creeps through the blinds.”
The song serves as a taster to Asbjørn’s upcoming project, ‘HAUSPARTY’, an EP inspired by club music and the nightlife culture, and its unique way of building communities out of music lovers.
London-based Kurdish viral star BANA continues to take over the world with her newest single, ‘Ripple Effect’. If there’s one song that’s likely to push this artist into the UK mainstream, then this is it.
The track infuses nostalgia-inspired dark pop (the kind mastered by producers like Max Martin in the 00s) with underground beats, giving listeners an edgy but familiar sound. It’s pop at its best and showcases BANA’s vocals beautifully.
BANA is already a huge name for Kurdish music fans. Her single ‘Birwa Nakem‘ has received 132m views on TikTok alone and almost 10m views on YouTube. Her work has also been featured by the likes of Wonderland Magazine and Ones to Watch.
The artist is currently working alongside industry legends like Mojam (Sam Smith, Jessie Ware) as well as Starsmith (Zedd, Lady Gaga) and Frances (Dua Lipa, SG Lewis).
While still only 20 years of age, US singer and songwriter avalon has already won our hearts. We can’t express how much we’ve fallen in love with this artist’s work, and her new single, ‘how to lie’, is sure to add even more hype for the talented starlet.
The track encapsulates the devastating pain that we suffer from broken relationships. The song projects intensity and rawness but also feels vulnerable and fragile. avalon explains:
“‘how to lie’ was written almost two years ago. I was talking to someone that I really liked. One day I was in a session and got a call from that person. I went to the bathroom and as the conversation went on, I began to realize I was getting dumped. When I am upset I write poetry and so during the phone call I went to my notes app and started to write these poems. I went back into the session and sang the poems I had written literally 2 minutes prior, with tears in my eyes and a runny nose. It was so real and raw.
Obviously that situation sucks but I am so happy the song was recorded in that painful moment. During the period of sadness from that situitionship ending, I would listen to the song and feel so seen and understood. It really got me through that hard time. When I tease ‘how to lie’ on social media I get comments saying ‘I can feel the emotion wow’ and it gives me goosebumps every time because I was literally crying in the take we used.
I hope this song can bring comfort to people who don’t feel enough or who don’t feel seen. The song is about giving a whole plate and constantly getting a crumb in return- it is not about a breakup, my experience just happened to be in that form. So I dedicate this song to people who love hard and love fast in any situation. It is very draining and lonely sometimes. You are not alone, I see you, I hear you and I wrote this song for you.”
avalon’s authentic approach to songwriting tells us that this is an artist who is certain to pick up momentum in 2026. This is a talent unafraid to share her truest emotions with the world, and that’s something incredibly refreshing to experience.
Missouri newcomer willoh unveils a dreamy new single today, and we’re quite sure you’ll be as mesmerised as we were when you play it.
‘OUCHIE’ sounds like nothing else we’ve come across recently. It’s playful, eccentric, and experimental, but it still feels emotive and loaded with tension.
The track is broken into several acts and evolves the longer you listen. The result is a piece of music that keeps listeners engaged throughout, never quite knowing what to expect with each minute that passes.
“’OUCHIE’ is about holding everything in and the breaking point that comes when you can’t anymore. It’s the sound of that explosion.”
Hailing from Springfield, willoh has only recently come across our radars. The release of her self-produced debut earlier this year, titled ‘not more than that, but more please’, received critical acclaim and has amassed more than 100k streams on her Spotify to date.
Infinite Coles might not be a mainstream name yet, but this NYC-born talent is already causing a tonne of traction across the internet, receiving praise along the way from established tastemakers like NME, Mixmag, and The Line of Best Fit.
Recent viral releases, ‘SweetFaceKillah’/‘Dad & I’, inspired by the complicated relationship Infinite has with his father – Ghostface Killah of Wu Tang Clan – picked up the attention of music icons like 50 Cent, Diplo, and A$AP Ferg.
Infinite’s new single, ‘DMs’, keeps the momentum up with its bold and experimental style of sound, courtesy of producer Zach Witness (who is also known for his work with Doechii, Frank Ocean, and Erykah Badu). On the track’s lyrics, the artist explains:
“‘DMs’ is me telling all the haters in my actual DMs to SHUT UP!!! People think they can hurt me with words when they’re not even close. I get at least 5 negative messages a day with people saying kill yourself, or that my dad doesn’t love me etc, so I turned how I felt into this song and I’m so happy with how it turned out.”
The song is taken from Infinite’s upcoming debut album, ‘SweetFace Killah’, which is scheduled for release on the 5th December 2025 – presave here.
Today’s release of ‘What About Me?’ by rising Greensboro musician Taylor Williams should hit the spot for anyone craving some soul.
A reworking of a classic by The Exceptional Three, this version was produced by Leroi Conroy and presents the song in more of its raw form, allowing for Taylor’s sublime vocals to take centre stage.
Williams currently commands more than 120k monthly listeners on Spotify – which is impressive considering he has only released two other songs on the platform up until today. No doubt, this is one of America’s most promising soul stars of the future.
Shanghai-born and US-based artist Paris WYA is back today with a shimmering new single that was inspired by a feeling all too many of us know about – unrequited love!
‘Treat Me Right’ presents listeners with a polished pop production that also adds elements of acoustic guitar and synth, creating a sound that is energising but also melancholic in tone. Elaborating on the song, the artist says:
“It’s about the kind of first love that never leaves quietly, the one that lingers in muscle memory, in the shape of someone’s hand, in the way they once said your name. It’s about looking back with open wounds, and still believing somewhere deep down that if they had just loved you right, maybe you could’ve made it.”
For those new to Paris WYA’s work, this rising talent has garnered thousands of streams over the past few months, while also picking up praise from outlets as noted as Ones to Watch and GlamGlare.
New York shoegazers S.C.A.B. are back with one of their most sincere releases yet, the simply titled ‘LOVE’.
The song serves as a simple yet heartfelt ode to the group’s city and the lives they have built for themselves within it. It looks at themes of self-acceptance, as well as love and loss.
“It’s a love song to New York, to family, to loss, to starting over.”
Accompanying the song are some brilliant nostalgia-tinged visuals by Sampson Dahl, with references to the 90s and Britpop.
The track is lifted from the group’s upcoming ‘Somebody In New York Loves You!’ EP, which is scheduled for release later this month. Until then, you can explore more of S.C.A.B.’s music over on their Spotify.
Rapper and creative artist Alexandros Sarafis has been on our radars for quite some time, with his polished approach to UK rap always impressing us.
This British-born talent is making a name for himself thanks to his style of songwriting, which blends hip hop with soul, and sometimes even incorporating elements of Greek Laika into the mix.
New single ‘Tired Of Being Alone’ features the vocal talents of Kimberly Walker and is, as you would expect, a melancholic song that encompasses the feelings of loneliness that we experience when we are single.
Previous releases by Sarafis have picked up praise from the likes of BBC Introducing, Reprezent, and Flex FM, and we’re quite certain this new track will win this artist even more followers.
Stolen Nova has just released an indie banger called ‘Dancing With A Ghost’, and it’s already becoming a fan favourite.
Debuting at Paris Fashion Week, the song has found exposure among the likes of Charli XCX and AG Cook. Its anthemic melody, captivating vocals, and energising production makes it one of the biggest hits of the week for us.
“When I played ‘Dancing With A Ghost’ for the first time in Paris, the last chorus hit & I didn’t even have the mic anymore. I was surrounded by people crowding it, screaming every word to a song they’d never heard before.“
“Nobody wanted that night to end, which is actually what the track touches on. Never wanting to see the lights come up after the party to avoid the realization that you’re totally alone. Knowing a relationship is toxic, yet refusing to let go. You just keep your body moving.”
Stolen Nova’s music has picked up praise from outlets as prominent as BBC Radio, The Face, i-D, Interview Magazine, and Clash.
“‘‘Never Like The First Time’ is about chasing a sense of relief and purpose that I used to find in turbulent things, places and people. It’s a song reminiscing on the idea of my past self, and the reasons I was always on the hunt for something more intense or destructive. This song is brutally honest and tells some uncomfortable truths but it all stems from a time when I was not feeling seen or heard for who I truly was. I felt defined by a lifestyle I couldn’t escape. Realising at the core of what I was chasing was connection, unity and positive relationships. I just didn’t know what that looked like at the time.”
Ella Jet is a rising star gaining traction throughout Florida’s music scene. With her new single ‘deceiving’, we’re quite certain that traction will pick up globally.
This is an arresting piece of dark-pop music. The song addresses grief – and how it can turn us to become insular and alone and lose sight of the fact that there are people around us who care and love us.
“when i wrote ‘deceiving’, i was in a dark place. i felt trapped and alone, unsafe where i was living, and completely isolated in a new city. i remember feeling like no one really saw what i was going through, even though people probably cared more than i could recognize at the time. looking back, i can see how grief can twist your thoughts, it convinces you to stay quiet, to sit in your pain instead of reaching out. i wish i had been more honest about what was really happening and gotten myself the help i needed. but that’s the thing about writing music, it captures a moment in time. listening now, i feel relieved to be past it, but grateful that it still exists for anyone who might need to hear it and feel a little less alone!”
Ella first gained attention at the age of 16 with the release of her 2018 debut project, ‘Black Wave Diary’, which received widespread acclaim. Since then she’s amassed thousands of streams and continues to win fans with each new single.
Ukrainian creative talent Kiogo is a newcomer who, despite releasing only two singles, has already won us over with his very unique work.
‘On My Back’ is a powerful electronic track that immediately captivates. It’s unashamedly bold and confident in its production, mirrored by the lyrics, which inspire us to follow our instincts and act on our ambitions.
“This track is for the moment when you stop wasting time on doubt. You just do it—and that’s it. No extra words.”
Alongside his music project, Kiogo is also behind the creative studio WHVR Group, which allows him to fully showcase his sounds through visuals like his impressive music video. We’re excited to see what this artist comes up with next!
The Awaikened is an interesting project created by Conscious Ventures that weaves sound into the human experience and taps into our emotions and thoughts. This is more than just music – it’s a way for the artist to reach out to his listeners in a more human and organic way.
‘The Still Point’ is a perfect introduction to The Awaikened’s work. Through its simple melody and soft pop production, the song inspires us to embrace stillness:
“‘The Still Point’ explores the delicate balance between chaos and calm — the silent centre within movement, the space between thoughts, where everything and nothing exist together. It’s a song about presence, surrender, and awakening — a reminder that in the stillness, we find ourselves.”
More music will be released this coming Thursday as part of Theo Johnson’s BBC Introducing. In the meantime, you can explore more of The Awaikened over on Spotify.
Ruti has unveiled their latest EP today, titled ‘Maybe I Got It Wrong’, and along with it, a beautiful song called ‘Monster’.
This acclaimed musician exudes finesse and quality in every aspect of their artistry, and their new body of work is no exception.
The single’s production treats listeners to an alt-pop production with subtle bossa nova elements, while the lyrics express the frustrations that arise from being surrounded by bad people.
“Whenever I perform this song I dedicate it to all of the men in my life that have wronged me. The song is my internal rage that just sits and bubbles. Sometimes I worry what it might manifest into. The song is like a quiet warning ‘go on push me to the limit and see what happens’. Sometimes my morals are tested by the people that rule this world – I’m only slightly joking. I think I just needed to expel some of that pent up anger watching how immigrants, queer people and honestly the global majority are demonised by people with the most power. But it’s also fuelled by my mundane day to day interactions with men that irk me to no end. Hopefully you can dance along to this song anyway.”
‘Monster’ is a good representation of what listeners can expect from the rest of the EP. Across the seven songs, you can experience Ruti delving into genres as diverse as pop and lo-fi folk, while still showcasing their sensational vocals. You can listen to the whole project right here.
This weekend’s alt-pop banger comes courtesy of Sweden-based newcomer OK Alva and her brilliant new single, ‘Yet’.
Starting minimal, the production evolves with intensity to mirror the song’s heart-wrenching lyrics that tell of the moments when we struggle with emotional closure. It’s never easy to let go of someone you love, and this track perfectly encapsulates those emotions.
“‘Yet’ is about leaving everything unsaid, hoping that means it isn’t really over. Trying to move on with one foot in the door seems easier but us humans were never made like that, we need closure. This song almost wrote itself during a time when I was experiencing a situation like that. Kind of proves my point, trying to not think of something, someone, ultimately leads to thinking about them even more.”
We still don’t know much about this promising artist, but if their upcoming releases are as finessed as ‘Yet’, then we’ll have a new Scandi favourite to fall in love with!
Longing Louisa is a new musical project created by Finnish artist Reetta Hotti. ‘Hatchet’ only came across our radars a few days ago, but we were instantly captivated by its ethereal tones. It delivers an indie production that is intriguing and distinctive, yet easy to listen to. On the song, Hotti says:
“The production is quite fun and light, but actually the lyrics are far from fun. There’s a big contrast between the two, and for me that’s ‘The Thing’ with this song. Even though the title is Hatchet, the song serves also as an apology. Especially the end part breaks my heart a bit every time I listen to it.”
The track is taken from Hotti’s new ‘Waterphile’ EP, which is out today. The collection of songs was created by the musician as an ‘ode to water’ and, as you’d expect, is full of organic, soft sounds that draw you into a soundscape that reminds you of nature.
“I’ve always been prone to the feeling of longing. I think I’ve spent most of my life living someplace else than the present. I’ve longed for the past, the future or an alternative reality. It’s probably a way to escape anything uneasy happening in real life. Melancholic feeling, or the Japanese idiom ‘mono no aware’ to be more precise, is what Longing Louisa is about. The music has all the shades of blue, there’s fog, blurriness, some city lights, hollow and dull-like sounds, but also slowly growing intensity, small changes that every now and then lead to a massive gathering of clouds.”
There’s a really exciting newcomer emerging from France going by the name of Soane, and we can’t wait to share her work with you.
Sultry new single ‘Fountains’ treats listeners to a perfected R&B sound that is crafted meticulously. The production feels classic and luxurious, while Soane’s soulful vocals draw you into her innermost thoughts.
“Can you feel the rush, keeping you awake, longing for my touch, addicted to the taste.”
The song highlights the sheer talent that this French and Moroccan musician has to show, and we can’t wait to see how her career evolves over the next twelve months.
