
“When one can be brave in the face of time, they can truly celebrate the moment they are in – the only moment that ever exists.”

“When one can be brave in the face of time, they can truly celebrate the moment they are in – the only moment that ever exists.”

This sound feels almost timeless. Softly pulsating indie with a sense of drama and sadness from a London based, New Zealand native who’s still just 18-years old.
“1972 is partly about realising a relationship isn’t as good as you thought it was, and alongside that the frustration that shows up when you can’t move on from someone who’s moved on from you.”

“‘Pick Me Up’ is about the struggles of a relationship, and the highs and lows of being in love but also the difficulty of feeling like you only want a person more when they let you down.”

‘True’ is the third and last release leading to the release of the debut EP, ‘The Red Room’.

“all i hear (dada)” is essentially about an unhealthy crush but peeling deeper into the essence of the song, it concerns how you treat yourself. About how you, especially in unhealthy relations, often let impulsive instincts undertake your logic when life is passing through.”

“How Do We Look So Good? Is about feeling guilty for not really feeling guilty at all. I wanted this track to generate a sense of nostalgia. Kind of like a dreary, hazy dream that you don’t ever want to wake up from.”

“We want our fans to feel submerged in this music and walk away feeling closer to us than ever. ‘Daydream’ is about what it’s like to be away from a loved one. When we’re on tour, we’re leaving a love note and memento saying, ‘I’m thinking of you, so daydream about me.’”

“Spanish Rose is a song about complete infatuation. I was completely and utterly obsessed with every individual essence of this person at one point, this song is a testament to everything about them and all that I was feeling at the time of writing this.”

Skott returns and thankfully, that Scandinavian dark-pop essence has come back along with her.

“The song reminisces in hindsight to one’s identity, running a spectrum of contemplative love from passion to regret.”

“Our society is so incredibly ageist and so often we value women only for their ‘beauty’ which sadly for a long time has been this cartoon, very white European ‘ideal’ that is not founded in reality and causes billions of little girls around the world to hate the things about themselves that don’t align with that. It seemed fitting to me to place this drag-like, vintage Marilyn character in a fantasy world, because it’s a construct that’s just as fake and absurd as magic!”