These songs have made Eurovision relevant again this year…

It’s the start of Eurovision week (i.e. the world’s biggest music show), and for someone who follows the show for the fun rather than the music, this year I’ve been surprised by the number of countries submitting songs that could easily be on radio playlists.

Here’s some which have stood out to me – and as it happens, these are the main favourites to win…. Maybe Eurovision is starting to push for more current sounds again?

Duncan Lawrence – Netherlands (intense, minimal ballad with haunting elements).

Mahmood – Italy (my personal favourite this year from a talent who was featured in the past, this is punchy pop with angst).

Katerine Duska – Greece (the most beautifully melodic indie pop, along the lines of Florence & The Machine with a distinctive vocal).

Conan Osiris – Portugal (the most conceptual and idiosyncratic song this year, this feels better suited to an art installation at Tate Modern than Eurovision).

Michela – Malta (if Dua Lipa had a go at Eurovision, this would absolutely be it).

Hatari – Iceland (this has caused the biggest reaction this year- nothing is off limits with this group… It’s a bold electro/ goth/ synth sound that makes an impact from the start)

John Lundvik – Sweden (gospel pop with a mildly euphoric edge).

Luca Hänni – Switzerland (this is your standard bubblegum pop with big beats and catchy hooks).

And to be honest there’s a few more, but head on over to Eurovision’s website to check them out.

The Semi Final’s are on Tuesday 14th and Thursday 16th May, with the Grand Final on Saturday 18th May. It’s broadcast across most countries globally, so check it out!

Felix Sandman + Benjamin Ingrosso – Happy Thoughts

This is as smooth as Swedish pop gets right now…

FELIX SANDMANBenjamin Ingrosso

Jane Holiday – My Love, By Love

My Love, Bye Love was written while I was living in New York with my girlfriend. It was one of the earlier times in our lives that we had full freedom and independence… and we fully took advantage of that opportunity. We were running up and down Manhattan, she was studying, I was writing loads of songs, we were kind of just exploring ourselves, each other, exploring a new city, and figuring out what it’s like to find yourself as an adult. On the way you pick up some habits, you lose some, and you learn to deal with what other people think of your choices. Really at the end of the day, fuck em’, but there is a lasting impact on your decisions. But this song is kind of a reflection on that time of my life. A coming of age love story…”

JANE HOLIDAY