“BOYS WITH EMOTIONS is a title and a subject that I have both thought about and talked about for a long time. The inspiration for the song is that I, as both a man and a feminist has considered where I should put my focus to be able to influence in the best way – and what we can do to raise boys right and break the toxic structures and norms in our society. I also wanted it to be a great song that you can dance to – and that you don’t have to think about the message and simply enjoy the song.”
I think I speak on behalf of a lot of people around the world when I say that this year was messy. I don’t know about you, but for me, nothing seemed to be straightforward over the last twelve months. So this year’s Random List should be interesting…
Astrid S – Emotion. I have surprised with myself on this one. Since it’s release a couple of months ago it’s had 110 plays. I like the idea that the song balances between a retro and kitsch vibe and spins it into a more current twist with a soulful edge. Then there was the (bonkers) performance of the song on Norway’s equivalent of the Brits which gave it another fresh take…
This has been the year for Troye Sivan. We started 2018 with this understated pop banger and the hits came through over the next twelve months. Managing to balance commercial pop with the slickest delivery, I really can’t wait to see what’s next for this kid.
I haven’t had the time to go out as much in 2018 but if there’s one gig that’s stuck with me then it has to be Daniel Adams-Ray (also known as ‘Human’ and one half of ‘Snook’) earlier this month. He’s unheard of outside of Scandinavia since most of his hits are in Swedish, but he is one of the reasons why I fell in love with Scandi music as a kid. In a venue almost entirely full of Swedish millennials in east London, his setlist spanned his entire career and more than anything made me realise that: A – I am weird, and B – that Swedes still push pop’s boundaries pretty hard.
MOST UNDERRATED K-POP BANGER
(G)I-DLE – HANN. In what’s been K-Pop’s breakthrough year, this one song didn’t get as much love as I think it should have. I know it’s been viewed 38-million times on YouTube, but that’s barely anything for the genre these days. Anyway – it’s a strong pop track with a strong essence of melancholy that you wouldn’t expect from K-Pop.
BIGGEST SUCCESS STORY
TEN Music Group. For those of you who aren’t too familiar with Swedish pop, TEN is the powerhouse behind Zara Larsson (and damn, what a huge year she’s had). Take a look at their other roster of artists because I genuinely believe they are the new wave of Scandinavian talent… Keep an eye on Felix Sandman‘s unique vibe in particular…
Jeremy Zucker. While still relatively unknown, I have nothing but total love for this talent. Give the track above a spin, it’s really quite special.
Female Soloists! This was the year we saw talents like Dua Lipa, Ariana Grande, Zara Larsson, Rosalia, Robyn make a huge impact. Not only through the release of consistent hits, but also through reminding us that we can all be strong even through turbulent times that make us vulnerable.
MOST DESERVING OF A BIG BREAK
Grace Carter. While Grace has been put on the longlist for BBC’s Sound of 2019, I’m not sure how likely she is to win it in January 2019. I, however, would love to see her become a huge success over the next twelve months.
And that, friends, is the Random List for the year. I can’t wait to keep sharing new music with you, and as always, thank you for following the site!
For previous editions of The Random List, head here.
One of the most anticipated debuts from Sweden finally got it’s release today, and truth be told it’s a really good record. As the title suggests, there’s a ton of raw emotion on it, which for a 19-year old talent is pretty special. Personal favourites are Imprint, Every Single Day, and Everything Is Great.
The visuals for this are strangely addictive to me…
One of my favourite Swedish exports from this year is back with a new pop banger…
Track of the week. This song was entered into Sweden’s Melodifestivalen this week and didn’t quite manage to get to the final (the winner represents the country at Eurovision). This was the performance…
I am stunned – this is by far superior to anything I’ve heard from Sweden in the way of ballads for quite some time.
There’s still a very slim chance of it winning, but in any case, it’s won me.